Tuesday, November 28, 2023 19:00 start (doors open at 18:30)
Suginami Public Hall Small Hall (get off at Ogikubo Station on JR Chuo Line )

program
Masayuki Nagatomi: Three essences
Emi Maeda: L’endroit et L’envers (world premiere)
Alain Gausaint: Eau-forte
Wataru Miyagawa: En Spirale (World Premiere)
Akira Tamba: Sonata for flute and piano
Yumiko Yokoi: You were not there, not there, you (Japan premiere)

Benjamin Ataire: De l’obscurité II
Keita Matsumiya: Sagittaria trifolia (world premiere)
Florent Caron-Dallas: Rives (Japan premiere)
Masakazu Natsuda: Beau soir (world premiere)
Ryo Dainobu: The Hearing Hand (World Premiere)

Appearance
Kanako Abe, Masakazu Natsuda (conductor) / Mari Kobayashi (mezzo-soprano)
Takahiro Uchiyama (flute) / Ikuko Suzuki (clarinet) / Masaki Oishi (saxophone) / Mai Fukui (harp)
Ayane Kawamura (violin) / Fumiko Kai (violin, viola) / Michiko Fukuda (viola) / Takui Matsumoto (cello)
Yumi Oikawa, Kaori Osuga, Tomoya Okamoto, Masanobu Shinoda (piano)

ticket
General: 3,000 yen Association members: 2,500 yen Students: 2,000 yen (500 yen each on the day)

《Reservations/Inquiries》
teket：https://teket.jp/7613/26184
Japan-French Contemporary Music Association Secretariat: nichifutsugenon@yahoo.co.jp

Sponsored by: Japan-French Contemporary Music Association
Grant: Tokyo Metropolitan Foundation for History and Culture, Arts Council Tokyo [Tokyo Arts and Culture Creation Dissemination Grant]

Dance: Naomi Muku, Azusa Fujimoto, Yang Jongye, Yuna Saimon, Mai Taniguchi, Misako Taniguchi, Kenta Sakazume, Keita Arai, Erika Ishii

Supervisor: Akaji Maro
Music: Keita Matsumiya
Stage Director: Kazuhiko Nakahara
Lighting: Genta Iwamura (GLW)
Naoki Kinoshita (Factor)
Sound: Norimasa Ushikawa
Costumes: Mika Tominaga
Advertising photo: Jean Couturier / Arawa Inoue
Advertising art: Taiga Koshiyama
Production: Yoshihiro Kim
Producer: Yoko Niifune
Organizer: Camel Arts Co., Ltd.
Affiliation: NPO Theater Creation Network/Za Koenji
Production cooperation: Dairakudakan
Cooperation: I-NET Co., Ltd.
Inquiries: Dairakudakan 0422-21-4984
Za-Koenji 1
TEL 03-3223-7500
5 minutes walk from JR Koenji Station North Exit

Ticket release date
August 25, 2023 (Friday) 10:00~
Ticket price Preschool children not available
All seats reserved/tax included; advance/same day
General : 4,000 yen
U24: 2,500 yen *Certificate must be presented on the day *Dairakudakan only available

Ticket handling
Dairakudakan
・TEL 0422-21-4984 (Weekdays 11:00-18:00)
・http://www.dairakudakan.com/
●Za/Koenji Ticket Box (closed on Mondays)
・TEL 03-3223-7300 (10:00-18:00)/window (10:00-19:00)
・ https://za-koenji.jp/ (24 days open every day)
* You can also use the theater ticket “Namichike” at Za Koenji.

program
Nao Kukiyama: Falling Water Flowing Flowers
(harpsichord solo) commissioned work

Dai Fujikura: Jack
(harpsichord solo) commissioned work

Keita Matsumiya: One up
(hybrid harpsichord + electronics) commissioned work

Tristan -Patrice Challulau: Camarette fermentations…
(harpsichord + recorder) Japan premiere

Kaija Saariaho: Jardin Secret II
(harpsichord + electronics)

Organized by Clariis Project
Grants The Nomura Foundation
Performer
Recorder Hideki Morimoto

Electronics Juntoshi Arima Keita Matsumiya

Harpsichord Mamiko Someda

Sales period
2023/3/5 (Sun) 00:00 – 2023/8/30 (Wed) 20:00

contact information
*Parking available
Parking fee: Free　Capable of accommodating 170 cars

*If you have a student ticket, please present your student ID card at the reception.

*Please refrain from entering preschool children.

Contact information
hanadamacembalo@gmail.com

Gregory’s garden
“Tokyo23 3D Sound & Art Festival”
Date: from 12 (Friday) to 13 (Saturday) May 2023
Location: RABBIT AND HALOT

Participating artists:

Guest composer: Stéphane de Gerlando

Composers: Keita Matsumiya, Maay Yamazaki, Yuzu Katane, tomozuin-h, Yoshihiro Kawagoe, Kaori Tsutsui

Artists: Satoshi Mizuno, Ikuko Fukui, Chikako Tachibana (coordinator)
Performers: Masato Morris (bassoon), Kazumi Suzuki (flute), Yuzu Katane (guitar), Kaoru Nishimura (clarinet)

Performers (recording help for the master classes): Takako Imai (flute), Aiki Kitajima (cello), Yoko Ishikawa (harpsichord), Maya Nozaki (flauto traverso), Kaori Tsutsui (recorder, dragon flute), Mikifumi Kuno (lute).

6 speakers are installed in the hall, performers are equipped with micro sensors, and 3D sound art is achieved through a 3D sound program and art festival, a concert in a virtual space where sound can be seen with the naked eye, and a new artistic creation aimed at sound installations on street corners.

https://www.kyushu-u.ac.jp/ja/events/view/1239/

The piano: with its 52 white and 36 black keys, the piano continues to attract many musicians for its wide range and deep musicality. The “Three Views of the Keyboard” project is centred around the piano as an instrument and looks at the history, present, and future of cutting-edge keyboard music using acoustic, prepared, and electronic methods.
This series of concerts follows on from “Feldman meets freq”, which took place in February 2022. Enjoy the music of outstanding composers and performers from the Kyushu University’s Faculty of Design and from around the world. We will be very happy if you can see another side of the keyboard in a new light.

Part 2: “Hyper Piano: Beyond the Keyboard”
Date: October 30, 2022 (Sun) 16:00 start, 15:30 open
Performers: Reina Nishioka (piano), Keita Matsumiya, art student (electronics)
Program :
John Cage “Bacchanale” for prepared piano (1940)
Keita Matsumiya “Shitatari” for hybrid piano (2019)
Cassandra Miller “Philip the Wanderer” Piano and Page Turner (2013)
Cage, “Music for Marcel Duchamp” for prepared piano (1947)
Jonathan Harvey “Tombeau de Messiaen” for piano and tape (1994)
Michael Pisaro “fields have ears (1)” for piano and tape (2008)

After Talk: Reina Nishioka, Keita Matsumiya, Kazuhiro Jo, Daryl Semison

http://steamlab.ed.oita-u.ac.jp/

This symposium will focus on A (art) and T (technology) of STEAM education. In the first half, Mr. Sada Fujioka, representative of anno lab, who produced the “Heterogeneous Museum of Nature and People” in Bungotakada City, Oita Prefecture, Mr. Keita Matsumiya, a composer who explores the future of mixed music and the hybridization of instruments; Ms. Sanae Yoshinaga, who studies children’s exploratory behavior through , will provide a topic. The second half will be coordinated by Mr. Hiroo Shimogori of National Institute of Technology, Hakodate College, and we will deepen the discussion on the correspondence between A (art) and T (technology) and how to view the world.

● On-site venue: KATETE / 2-1-23 Hagiwara, Oita City

Click here for the venue

●Symposist

◯ Mr. Sadamu Fujioka
CEO of anno lab Co., Ltd. / Artist
Theme: Technology and art

◯ Mr. Keita Matsumiya
Composer / Lecturer at Oita Prefectural College of Arts and Culture
Theme: Periphery of Recording and Writing in Music Production

◯ Ms. Sanae Yoshinaga
Vice President, Tokyo Kasei Gakuin University / Professor, Graduate School of Human Life Studies
Theme: “Feel, Think, Express” Children’s World

● Coordinator

◯ Mr. Akio Shimogoori

Hakodate National College of Technology Professor

● General moderator

◯Yoshihiko Shimizu

Associate Professor, Faculty of Education, Oita University / Oita University STEAM Lab.

●Configuration
◯ Opening remarks, purpose explanation (15 minutes)
◯Provide topic of symposium (20 minutes x 3 people)
◯ Break (15 minutes)
◯ Q&A/Discussion (50 minutes)
◯ Summary and closing remarks (10 minutes)

https://www.borncreativefestival.com

Born creative Festival 2021
Tokyo Metropolitan Theater
Saturday, October 2nd, 11:00~19:00 (enter/exit free)

Keita Matsumiya – Electroacoustic music “Waves”

electronic music room
Venue: Atelier East, Atelier West
Acousmonium (electro-acoustic music performance device) player Tomoya Higaki designed the acoustic space with Michel Bocanowski as the main composer, as well as works by Shohei Amimori, Hideki Umezawa, YOSHI WADA, and others. There are a lot of new works by young artists.

https://www.oita-pjc.ac.jp/events/detail/899

Date: January 15, 2021 (Friday) 6:00 p.m. start (5:30 p.m. open)
Location: Oita Prefectural College of Arts and Culture Music Hall

Programme :
《Sound of bells and spirited away》 Composition / performance: Momo Arimura
《Five》 Composition / Performance: Mai Irie
《Combination》 Composition / Performance: Miyu Fujisaki
《Sigh》 Composition / Performance: Urara Mori
《Beginning》 Composition / Performance: Ichika Haseba
《Somehow there is a taste of poetry》 Composition / Performance: Junichi Kidera
《Stray》 Composition / Performance: Kanon Nishigaki
《Drowning Dream》 Composition / Performance: Itsuki Uchida
《B.A.B.U.N.》 Composition / Performance: Miyu Okada
《Playful Fairy》 Composition / Performance: Yumi Yamamoto
《C’est bon》 Composition / Performance: Yumi Sasaki
《Underwater Bridge》 For hybrid violin Composition: Keita Matsumiya
Performance: Mayumi Kawase

[Kyoto performance]
January 16, 2021 (Sat) 18:30 start (18:00 open)
Kyoto Art Center 2F Auditorium 546-2 Yamabushiyama-cho, Muromachi-dori Takoyakushi, Nakagyo-ku, Kyoto 604-8156
access
5 minutes walk from Exits 22 and 24 of “Shijo Station” on the Subway Karasuma Line and “Karasuma Station” on the Hankyu Kyoto Line.

[Tokyo performance]
January 22, 2021 (Friday) 18:00 start (17:30 opening)
Tokyo Concerts Lab 2-3-18 Nishiwaseda, Shinjuku-ku, Tokyo 169-0051
access
6 minutes walk from “Waseda Station” on the Tokyo Metro Tozai Line (from Exits 2 and 3b toward Anahachiman Shrine)
10 minutes walk from “Nishi-Waseda Station” on the Tokyo Metro Fukutoshin Line (Exit 2)

・ Luis Naon / ALTO VOLTANGO (2001)
・ Simon Steen-Andersen / Study (1998)
・ Philippe Leroux / AIRS (1992)
・ Astor Piazzolla / History of Tango (1982)
・ Gene Koshinski / Get it! (2011)
・ Keita Matsumiya / dialogos pour saxophone baryton (2010)
・ Kazutomo Yamamoto / “Smiling Density” for Percussion Solo (2017)

Date: November 7th (Sat) 16:30 start (15:30 open)

Location: Oita Prefectural College of Arts and Culture Music Hall

(1st year of junior college) Ichika Haseba
«Weathercock» for violin and piano (2020)
Performance: Kain Kabata (violin), Urara Mori (piano)

(2nd year of junior college) Yumi Yamamoto
«Moon in the water, light illuminating the lake» for trumpet and piano (2020)
Performance: Kanon Nishigaki (trumpet, flugelhorn), Yukie Ito (piano)

(2nd year of junior college) Miyu Okada
«Sepia-style pendulum» for violin, cello and piano (2020)
Performance: Sayuri Sakamoto (violin), Rina Kawano (cello), Yuka Kajiwara (piano)

(2nd year of junior college) Itsuki Uchida
«Circus» for mixed chorus and piano (2020)
Performance: Yuna Tsukamoto, Hinata Maki, Yumi Sasaki, Tomoe Sugio
Yu Harayama, Yamato Masuda, Gun Takakura, Hikaru Ito (chorus)
Ami Akamine (piano), Keita Matsumiya (conductor)

(Professor) Keita Matsumiya
«Underwater Bridge» for Violin and Electronic Acoustics (2020)
Performance: Mayumi Kawase (violin), Keita Matsumiya (electronics)